Tactility Studies:
Where Our Lost Things Live
Presented in conjunction with Gallery Children’s Biennale 2021 at National Gallery Singapore
Presented in conjunction with Gallery Children’s Biennale 2021 at National Gallery Singapore



Photos from Tactility Studies: Where Our Lost Things Live (2022). Credit: Daniel Teo.
SYNOPSIS
Take a deep breath and slip sideways into the space between our world and a Land where our Lost Things live: the socks that went missing from your laundry, the umbrella you just can’t find, the ‘chouchous’ or bantal busuks that got thrown away without your knowledge. There are things that we don’t get to say a proper goodbye to, and here is our chance.


In this work, we invite young families to take care of Lost Things and send them off to the next stage of their lives. How might we hold and cradle these things that may have meant the world to someone else - someone we might never meet? What new clothes and accessories can we offer to these Things? What messages might we want to whisper or give to them as they journey onwards—to the Land where no humans are allowed, where our own precious Lost Things now live?
CO-DIRECTORS
Chong Gua Khee
Bernice Lee
PRODUCTION MANAGEMENT TEAM
The Backstage Affair
DRAMATURG
Corrie Tan
SPACE DESIGN
TiTam co.
CREATIVE TECHNOLOGIST
Sim Xin Feng
SOUND DESIGN
LIVE MUSIC
LIVE MUSIC
LittleCr3atures
PERFORMERS